New York Times article highlights the upcoming ACE Film Festival and the highly competitive NYC festival market.
Fledgling festivals must lure filmgoers with the prospect of important premieres and director appearances while promising filmmakers a sophisticated New York audience. The balance became too much for Josh Koury, who this year dissolved his own five-year old Brooklyn Underground Film Festival to concentrate on documentary making and programming at the Hamptons Film Festival.
“If I knew then what I know now, maybe I would have done things differently of course,” Mr. Koury said, noting the competitive conflict in mid-spring with the larger Brooklyn International Film Festival. “But I think that’s the beauty of film festivals like that. Real, underground, experimental cinema is an idea of do-it-yourself culture and having enough energy and gumption to just jump into something.”